Virtual Reality Technology - 2023 REVIEWS

Visual effects

Cameron pioneered a specially designed camera built into a 6-inch boom that allowed the facial expressions of the actors to be captured and digitally recorded for the animators to use later.[106]

A number of innovative visual effects techniques were used during production. According to Cameron, work on the film had been delayed since the 1990s to allow the techniques to reach the necessary degree of advancement to adequately portray his vision of the film.[15][16] The director planned to make use of photorealistic computer-generated characters, created using new motion capture animation technologies he had been developing in the 14 months leading up to December 2006.[101]

Innovations include a new system for lighting massive areas like Pandora's jungle,[107] a motion-capture stage or "volume" six times larger than any previously used, and an improved method of capturing facial expressions, enabling full performance capture. To achieve the face capturing, actors wore individually made skull caps fitted with a tiny camera positioned in front of the actors' faces; the information collected about their facial expressions and eyes is then transmitted to computers.[108] According to Cameron, the method allows the filmmakers to transfer 100% of the actors' physical performances to their digital counterparts.[109] Besides the performance capture data which were transferred directly to the computers, numerous reference cameras gave the digital artists multiple angles of each performance.[110] A technically challenging scene was near the end of the film when the computer-generated Neytiri held the live action Jake in human form, and attention was given to the details of the shadows and reflected light between them.[111]

The lead visual effects company was Weta Digital in Wellington, at one point employing 900 people to work on the film.[112] Because of the huge amount of data which needed to be stored, cataloged and available for everybody involved, even on the other side of the world, a new cloud computing and Digital Asset Management (DAM) system named Gaia was created by Microsoft especially for Avatar, which allowed the crews to keep track of and coordinate all stages in the digital processing.[113] To render Avatar, Weta used a 930 m2 (10,000 sq ft) server farm making use of 4,000 Hewlett-Packard servers with 35,000 processor cores with 104 terabytes of RAM and three petabytes of network area storage running Ubuntu Linux, Grid Engine cluster manager, and 2 of the animation software and managers, Pixar's RenderMan and Pixar's Alfred queue management system.[114][115][116][117] The render farm occupies the 193rd to 197th spots in the TOP500 list of the world's most powerful supercomputers. A new texturing and paint software system, called Mari, was developed by The Foundry in cooperation with Weta.[118][119] Creating the Na'vi characters and the virtual world of Pandora required over a petabyte of digital storage,[120] and each minute of the final footage for Avatar occupies 17.28 gigabytes of storage.[121] It would often take the computer several hours to render a single frame of the film.[122] To help finish preparing the special effects sequences on time, a number of other companies were brought on board, including Industrial Light & Magic, which worked alongside Weta Digital to create the battle sequences. ILM was responsible for the visual effects for many of the film's specialized vehicles and devised a new way to make CGI explosions.[123] Joe Letteri was the film's visual effects general supervisor.[124]

Music and soundtrack

Main article: Avatar: Music from the Motion Picture

James Horner – "Jake Enters His Avatar World" (0:31)

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Composer James Horner scored the film, his third collaboration with Cameron after Aliens and Titanic.[125] Horner recorded parts of the score with a small chorus singing in the alien language Na'vi in March 2008.[126] He also worked with Wanda Bryant, an ethnomusicologist, to create a music culture for the alien race.[127] The first scoring sessions were planned to take place in early 2009.[128] During production, Horner promised Cameron that he would not work on any other project except for Avatar and reportedly worked on the score from four in the morning until ten at night throughout the process. He stated in an interview, "Avatar has been the most difficult film I have worked on and the biggest job I have undertaken."[129] Horner composed the score as two different scores merged into one. He first created a score that reflected the Na'vi way of sound and then combined it with a separate "traditional" score to drive the film.[99] British singer Leona Lewis was chosen to sing the theme song for the film, called "I See You". An accompanying music video, directed by Jake Nava, premiered December 15, 2009, on MySpace.[130]

Marketing

Promotions

Cameron at the 2009 San Diego Comic-Con promoting the film

The first photo of the film was released on August 14, 2009,[131] and Empire released exclusive images from the film in its October issue.[132] Cameron, producer Jon Landau, Zoe Saldana, Stephen Lang, and Sigourney Weaver appeared at a panel, moderated by Tom Rothman, at the 2009 San Diego Comic-Con on July 23. Twenty-five minutes of footage was screened[133] in Dolby 3D.[134] Weaver and Cameron appeared at additional panels to promote the film, speaking on the 23rd[135] and 24th[136][137] respectively. James Cameron announced at the Comic-Con Avatar Panel that August 21 will be 'Avatar Day'. On this day, the trailer was released in all theatrical formats. The official game trailer and toy line of the film were also unveiled on this day.[138]

The 129-second trailer was released online on August 20, 2009.[139] The new 210-second trailer was premiered in theaters on October 23, 2009, then soon after premiered online on Yahoo! on October 29, 2009, to positive reviews.[140][141] An extended version in IMAX 3D received overwhelmingly positive reviews.[139] The Hollywood Reporter said that audience expectations were colored by "the [same] establishment skepticism that preceded Titanic" and suggested the showing reflected the desire for original storytelling.[142] The teaser has been among the most viewed trailers in the history of film marketing, reaching the first place of all trailers viewed on Apple.com with 4 million views.[143] On October 30, to celebrate the opening of the first 3-D cinema in Vietnam, Fox allowed Megastar Cinema to screen exclusive 16 minutes of Avatar to a number of press.[144] The three-and-a-half-minute trailer of the film premiered live on November 1, 2009, during a Dallas Cowboys football game at Cowboys Stadium in Arlington, Texas, on the Diamond Vision screen, one of the world's largest video displays, and to TV audiences viewing the game on Fox. It is said to be the largest live motion picture trailer viewing in history.[145]

The Coca-Cola Company collaborated with Fox to launch a worldwide marketing campaign to promote the film. The highlight of the campaign was the website AVTR.com. Specially marked bottles and cans of Coca-Cola Zero, when held in front of a webcam, enabled users to interact with the website's 3-D features using augmented reality (AR) technology.[146] The film was heavily promoted in an episode of the Fox Network series Bones in the episode "The Gamer In The Grease" (Season 5, Episode 9). Avatar star Joel David Moore has a recurring role on the program, and is seen in the episode anxiously awaiting the release of the film.[147] A week prior to the American release, Zoe Saldana promoted the film on Adult Swim when she was interviewed by an animated Space Ghost.[148] McDonald's had a promotion mentioned in television commercials in Europe called "Avatarize yourself", which encouraged people to go to the website set up by Oddcast, and use a photograph of themselves to change into a Na'vi.[149]

Books

Avatar: A Confidential Report on the Biological and Social History of Pandora, a 224-page book in the form of a field guide to the film's fictional setting of the planet of Pandora, was released by Harper Entertainment on November 24, 2009.[150] It is presented as a compilation of data collected by the humans about Pandora and the life on it, written by Maria Wilhelm and Dirk Mathison. HarperFestival also released Wilhelm's 48-page James Cameron's Avatar: The Reusable Scrapbook for children.[151] The Art of Avatar was released on November 30, 2009, by Abrams Books. The book features detailed production artwork from the film, including production sketches, illustrations by Lisa Fitzpatrick, and film stills. Producer Jon Landau wrote the foreword, Cameron wrote the epilogue, and director Peter Jackson wrote the preface.[152] In October 2010, Abrams Books also released The Making of Avatar, a 272-page book that detailed the film's production process and contains over 500 color photographs and illustrations.[153]

In a 2009 interview, Cameron said that he planned to write a novel version of Avatar after the film was released.[154] In February 2010, producer Jon Landau stated that Cameron plans a prequel novel for Avatar that will "lead up to telling the story of the movie, but it would go into much more depth about all the stories that we didn't have time to deal with", saying that "Jim wants to write a novel that is a big, epic story that fills in a lot of things".[155] In August 2013 it was announced that Cameron hired Steven Gould to pen four standalone novels to expand the Avatar universe.[156]

Video game

Main articles: James Cameron's Avatar: The Game and Avatar: Frontiers of Pandora

Cameron chose Ubisoft Montreal to create an Avatar game for the film in 2007. The filmmakers and game developers collaborated heavily, and Cameron decided to include some of Ubisoft's vehicle and creature designs in the film.[157] James Cameron's Avatar: The Game was released on December 1, 2009,[158] for most home video game consoles (PlayStation 3, Xbox 360, Wii, Nintendo DS, iPhone) and Microsoft Windows, and December 8 for PlayStation Portable. A second game Avatar: Frontiers of Pandora was under development as of 2021.

Action figures and postage stamps

Mattel Toys announced in December 2009 that it would be introducing a line of Avatar action figures.[159][160] Each action figure will be made with a 3-D web tag, called an i-TAG, that consumers can scan using a web cam, revealing unique on-screen content that is exclusive to each specific action figure.[159] A series of toys representing six different characters from the film were also distributed globally in McDonald's Happy Meals.[161][162]

In December 2009, France Post released a special limited edition stamp based on Avatar, coinciding with the film's worldwide release.[163]

Release and reception

Initial screening

Avatar premiered in London on December 10, 2009, and was released theatrically worldwide from December 16 to 18.[164] The film was originally set for release on May 22, 2009, during filming,[165] but was pushed back to allow more post-production time (the last shots were delivered in November),[107] and to give more time for theaters worldwide to install 3D projectors.[166] Cameron stated that the film's aspect ratio would be 1.78:1 for 3D screenings and that a 2.39:1 image would be extracted for 2D screenings.[167][168] However, a 3D 2.39:1 extract was approved for use with constant-image-height screens (i.e. screens which increase in width to display 2.39:1 films).[169] During a 3D preview showing in Germany on December 16, the movie's DRM 'protection' system failed, and some copies delivered could not be watched at all in the theaters. The problems were fixed in time for the public premiere.[170] Avatar was released in a total of 3,457 theaters in the US, of which 2,032 theaters ran it in 3D. In total 90% of all advance ticket sales for Avatar were for 3D screenings.[171]

Internationally, Avatar opened on a total of 14,604 screens in 106 territories, of which 3,671 were showing the film in 3D (producing 56% of the first weekend gross).[172][173] The film was simultaneously presented in IMAX 3D format, opening in 178 theaters in the United States on December 18. The international IMAX release included 58 theaters beginning on December 16, and 25 more theaters were to be added in the coming weeks.[174] The IMAX release was the company's widest to date, a total of 261 theaters worldwide. The previous IMAX record opening was Harry Potter and the Half-Blood Prince, which opened in 161 IMAX theaters in the US, and about 70 international.[175] 20th Century Fox Korea adapted and later released Avatar in 4D version, which included "moving seats, smells of explosives, sprinkling water, laser lights and wind".[22]

Box office

General

Main article: List of box office records set by Avatar

Avatar was released internationally on more than 14,000 screens.[176] It earned $3,537,000 from midnight screenings domestically (United States and Canada), with the initial 3D release limited to 2,200 screens.[177] The film earned $26,752,099 on its opening day, and $77,025,481 over its opening weekend, making it the second-largest December opening ever behind I Am Legend,[24][6] the largest domestic opening weekend for a film not based on a franchise (topping The Incredibles), the highest opening weekend for a film entirely in 3D (breaking Up's record),[178] the highest opening weekend for an environmentalist film (breaking The Day After Tomorrow's record),[179] and the 40th largest opening weekend in North America,[6] despite a blizzard that blanketed the East Coast of the United States and reportedly hurt its opening weekend results.[19][24][25] The film also set an IMAX opening weekend record, with 178 theaters generating approximately $9.5 million, 12% of the film's $77 million (at the time) North American gross on less than 3% of the screens.[174]

International markets generating opening weekend tallies of at least $10 million were for Russia ($19.7 million), France ($17.4 million), the UK ($13.8 million), Germany ($13.3 million), South Korea ($11.7 million), Australia ($11.5 million), and Spain ($11.0 million).[6] Avatar's worldwide gross was US$241.6 million after five days, the ninth largest opening-weekend gross of all time, and the largest for a non-franchise, non-sequel and original film.[180] 58 international IMAX screens generated an estimated $4.1 million during the opening weekend.[174]

Revenues in the film's second weekend decreased by only 1.8% in domestic markets, marking a rare occurrence,[181] earning $75,617,183, to remain in first place at the box office[182] and recording what was then the biggest second weekend of all time.[183] The film experienced another marginal decrease in revenue in its third weekend, dropping 9.4% to $68,490,688 domestically, remaining in first place at the box office,[184] to set a third-weekend record.[185]

Avatar crossed the $1 billion mark on the 19th day of its international release, making it the first film to reach this mark in only 19 days.[186] It became the fifth film grossing more than $1 billion worldwide, and the only film of 2009 to do so.[187] In its fourth weekend, Avatar continued to lead the box office domestically, setting a new all-time fourth-weekend record of $50,306,217,[188] and becoming the highest-grossing 2009 release in the United States.[189] In the film's fifth weekend, it set the Martin Luther King Day weekend record, grossing $54,401,446,[190] and set a fifth-weekend record with a take of $42,785,612.[191] It held the top spot to set the sixth and seventh weekend records earning $34,944,081[192] and $31,280,029[193] respectively. It was the fastest film to gross $600 million domestically, on its 47th day in theaters.[194]

On January 31, it became the first film to earn over $2 billion worldwide,[195] and it became the first film to gross over $700 million in the U.S. and Canada, on February 27, after 72 days of release.[196] It remained at number one at the domestic box office for seven consecutive weeks – the most consecutive No. 1 weekends since Titanic spent 15 weekends at No.1 in 1997 and 1998[197] – and also spent 11 consecutive weekends at the top of the box office outside the United States and Canada, breaking the record of nine consecutive weekends set by Pirates of the Caribbean: Dead Man's Chest.[198] By the end of its first theatrical release Avatar had grossed $749,766,139 in the U.S. and Canada, and $1,999,298,189 in other territories, for a worldwide total of $2,749,064,328.[6]

Including the revenue from a re-release of Avatar featuring extended footage, Avatar grossed $760,507,625 in the U.S. and Canada, and $2,029,172,169 in other countries for a worldwide total of $2,789,679,794.[6] Avatar has set a number of box office records during its release: on January 25, 2010, it surpassed Titanic's worldwide gross to become the highest-grossing film of all time worldwide 41 days after its international release,[199][200][201] just two days after taking the foreign box office record.[202] On February 2, 47 days after its domestic release, Avatar surpassed Titanic to become the highest-grossing film of all time in Canada and the United States.[203] It became the highest-grossing film of all time in at least 30 other countries[204][205][206][207][208][209] and is the first film to earn over $2 billion in foreign box office receipts.[27] IMAX ticket sales account for $243.3 million of its worldwide gross,[210] more than double the previous record.[211]

Box Office Mojo estimates that after adjusting for the rise in average ticket prices, Avatar would be the 14th-highest-grossing film of all time in North America.[212] Box Office Mojo also observes that the higher ticket prices for 3D and IMAX screenings have had a significant impact on Avatar's gross; it estimated, on April 21, 2010, that Avatar had sold approximately 75 million tickets in North American theaters, more than any other film since 1999's Star Wars Episode I: The Phantom Menace.[213] On a worldwide basis, when Avatar's gross stood at $2 billion just 35 days into its run, The Daily Telegraph estimated its gross was surpassed by only Gone with the Wind ($3.0 billion), Titanic ($2.9 billion), and Star Wars ($2.2 billion) after adjusting for inflation to 2010 prices,[214] with Avatar ultimately winding up with $2.8 billion after subsequent re-releases.[6] Reuters even placed it ahead of Titanic after adjusting the global total for inflation.[215] The 2015 edition of Guinness World Records lists Avatar only behind Gone with the Wind in terms of adjusted grosses worldwide.[216][217]

Commercial analysis

Before its release, various film critics and fan communities predicted the film would be a significant disappointment at the box office, in line with predictions made for Cameron's previous blockbuster Titanic.[218][219][220] This criticism ranged from Avatar's film budget, to its concept and use of 3-D "blue cat people".[218][219] Slate magazine's Daniel Engber complimented the 3D effects, but criticized them for reminding him of certain CGI characters from the Star Wars prequel films and for having the "uncanny valley" effect.[221] The New York Times noted that 20th Century Fox executives had decided to release Alvin and the Chipmunks: The Squeakquel alongside Avatar, calling it a "secret weapon" to cover any unforeseeable losses at the box office.[222]

"I think if everybody was embracing the film before the fact, the film could never live up to that expectation ... Have them go with some sense of wanting to find the answer."

James Cameron on criticism of Avatar before its release.[219]

Box office analysts, on the other hand, estimated that the film would be a box office success.[218][223] "The holy grail of 3-D has finally arrived," said an analyst for Exhibitor Relations. "This is why all these 3-D venues were built: for Avatar. This is the one. The behemoth."[223] The "cautionary estimate" was that Avatar would bring in around $60 million in its opening weekend. Others guessed higher.[223][224] There were also analysts who believed that the film's three-dimensionality would help its box office performance, given that recent 3D films had been successful.[218]

Cameron said he felt the pressure of the predictions, but that pressure is good for film-makers. "It makes us think about our audiences and what the audience wants," he stated. "We owe them a good time. We owe them a piece of good entertainment."[219] Although he felt Avatar would appeal to everyone and that the film could not afford to have a target demographic,[219] he especially wanted hard-core science-fiction fans to see it: "If I can just get 'em in the damn theater, the film will act on them in the way it's supposed to, in terms of taking them on an amazing journey and giving them this rich emotional experience."[225] Cameron was aware of the sentiment that Avatar would need significant "repeat business" just to make up for its budget and achieve box office success, and believed Avatar could inspire the same "sharing" reaction as Titanic. He said that film worked because, "When people have an experience that's very powerful in the movie theatre, they want to go share it. They want to grab their friend and bring them, so that they can enjoy it. They want to be the person to bring them the news that this is something worth having in their life."[219]

After the film's release and unusually strong box office performance over its first two weeks, it was debated as the one film capable of surpassing Titanic's worldwide gross, and its continued strength perplexed box office analysts.[226] Other films in recent years had been cited as contenders for surpassing Titanic, such as 2008's The Dark Knight,[227] but Avatar was considered the first film with a genuine chance to do so, and its numbers being aided by higher ticket prices for 3D screenings[226] did not fully explain its success to box office analysts. "Most films are considered to be healthy if they manage anything less than a 50% drop from their first weekend to their second. Dipping just 11% from the first to the third is unheard of," said Paul Dergarabedian, president of box-office analysis for Hollywood.com. "This is just unprecedented. I had to do a double take. I thought it was a miscalculation."[181] Analysts predicted second place for the film's worldwide gross, but most were uncertain about it surpassing Titanic because "Today's films flame out much faster than they did when Titanic was released."[181] Brandon Gray, president of Box Office Mojo, believed in the film's chances of becoming the highest-grossing film of all time, though he also believed it was too early to surmise because it had only played during the holidays. He said, "While Avatar may beat Titanic's record, it will be tough, and the film is unlikely to surpass Titanic in attendance. Ticket prices were about $3 cheaper in the late 1990s."[181] Cameron said he did not think it was realistic to "try to topple Titanic off its perch" because it "just struck some kind of chord" and there had been other good films in recent years.[228] He changed his prediction by mid-January. "It's gonna happen. It's just a matter of time," he said.[229]

"You've got to compete head on with these other epic works of fantasy and fiction, the Tolkiens and the Star Wars and the Star Treks. People want a persistent alternate reality to invest themselves in and they want the detail that makes it rich and worth their time. They want to live somewhere else. Like Pandora."

James Cameron on the success of Avatar[230]

Although analysts have been unable to agree that Avatar's success is attributable to one primary factor, several explanations have been advanced. First, January is historically "the dumping ground for the year's weakest films", and this also applied to 2010.[231] Cameron himself said he decided to open the film in December so that it would have less competition from then to January.[219] Titanic capitalized on the same January predictability, and earned most of its gross in 1998.[231] Additionally, Avatar established itself as a "must-see" event. Gray said, "At this point, people who are going to see Avatar are going to see Avatar and would even if the slate was strong."[231] Marketing the film as a "novelty factor" also helped. Fox positioned the film as a cinematic event that should be seen in the theaters. "It's really hard to sell the idea that you can have the same experience at home," stated David Mumpower, an analyst at BoxOfficeProphets.com.[231] The "Oscar buzz" surrounding the film and international viewings helped. "Two-thirds of Titanic's haul was earned overseas, and Avatar [tracked] similarly ...Avatar opened in 106 markets globally and was No. 1 in all of them", and the markets "such as Russia, where Titanic saw modest receipts in 1997 and 1998, are white-hot today" with "more screens and moviegoers" than before.[231]

According to Variety, films in 3D accumulated $1.3 billion in 2009, "a threefold increase over 2008 and more than 10% of the total 2009 box-office gross". The increased ticket price – an average of $2 to $3 per ticket in most markets – helped the film.[231] Likewise, Entertainment Weekly attributed the film's success to 3D glasses, but also to its "astronomic word-of-mouth". Not only do some theaters charge up to $18.50 for IMAX tickets, but "the buzz" created by the new technology was the possible cause for sold-out screenings.[232] Gray said Avatar having no basis in previously established material makes its performance remarkable and even more impressive. "The movie might be derivative of many movies in its story and themes," he said, "but it had no direct antecedent like the other top-grossing films: Titanic (historical events), the Star Wars movies (an established film franchise), or The Lord of the Rings (literature). It was a tougher sell ..."[231] The Hollywood Reporter estimated that after a combined production and promotion cost of between $387–437 million, the film turned a net profit of $1.2 billion.[233]

Critical reception

See also: Themes in Avatar

On review aggregator Rotten Tomatoes, 81% of 322 reviews are positive, and the average rating is 7.4/10. The site's consensus reads, "It might be more impressive on a technical level than as a piece of storytelling, but Avatar reaffirms James Cameron's singular gift for imaginative, absorbing filmmaking."[234] On Metacritic — which assigns a weighted mean score — the film has a score of 83 out of 100 based on 35 critics, indicating "universal acclaim".[235] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Every demographic surveyed was reported to give this rating. These polls also indicated that the main draw of the film was its use of 3D.[236]

Roger Ebert of the Chicago Sun-Times called the film "extraordinary" and gave it four stars out of four. "Watching Avatar, I felt sort of the same as when I saw Star Wars in 1977," he said, adding that like Star Wars and The Lord of the Rings: The Fellowship of the Ring, the film "employs a new generation of special effects" and it "is not simply a sensational entertainment, although it is that. It's a technical breakthrough. It has a flat-out Green and anti-war message".[237] A. O. Scott of At The Movies also compared his viewing of the film to the first time he viewed Star Wars and he said "although the script is a little bit ... obvious," it was "part of what made it work".[238][239] Todd McCarthy of Variety praised the film, saying "The King of the World sets his sights on creating another world entirely in Avatar, and it's very much a place worth visiting."[240] Kirk Honeycutt of The Hollywood Reporter gave the film a positive review. "The screen is alive with more action and the soundtrack pops with more robust music than any dozen sci-fi shoot-'em-ups you care to mention," he stated.[241] Peter Travers of Rolling Stone awarded Avatar a three-and-a-half out of four star rating and wrote in his print review "It extends the possibilities of what movies can do. Cameron's talent may just be as big as his dreams."[242] Richard Corliss of Time magazine thought that the film was "the most vivid and convincing creation of a fantasy world ever seen in the history of moving pictures."[243] Kenneth Turan of the Los Angeles Times thought the film has "powerful" visual accomplishments but "flat dialogue" and "obvious characterization".[244] James Berardinelli of ReelViews praised the film and its story, giving it four out of four stars; he wrote "In 3-D, it's immersive – but the traditional film elements – story, character, editing, theme, emotional resonance, etc. – are presented with sufficient expertise to make even the 2-D version an engrossing 21⁄2-hour experience."[245]

Avatar's underlying social and political themes attracted attention. Armond White of the New York Press wrote that Cameron used "villainous American characters" to "misrepresent facets of militarism, capitalism, and imperialism".[246][247] Russell D. Moore of The Christian Post concluded that "propaganda exists in the film" and stated "If you can get a theater full of people in Kentucky to stand and applaud the defeat of their country in war, then you've got some amazing special effects."[248] Adam Cohen of The New York Times was more positive about the film, calling its anti-imperialist message "a 22nd-century version of the American colonists vs. the British, India vs. the Raj, or Latin America vs. United Fruit".[249] Ross Douthat of The New York Times opined that the film is "Cameron's long apologia for pantheism [...] Hollywood's religion of choice for a generation now",[250] while Saritha Prabhu of The Tennessean called the film a "misportrayal of pantheism and Eastern spirituality in general",[251] and Maxim Osipov of The Hindustan Times, on the contrary, commended the film's message for its overall consistency with the teachings of Hinduism in the Bhagavad Gita.[252] Annalee Newitz of io9 concluded that Avatar is another film that has the recurring "fantasy about race" whereby "some white guy" becomes the "most awesome" member of a non-white culture.[253] Michael Phillips of the Chicago Tribune called Avatar "the season's ideological Rorschach blot",[254] while Miranda Devine of The Sydney Morning Herald thought that "It [was] impossible to watch Avatar without being banged over the head with the director's ideological hammer."[255] Nidesh Lawtoo believed that an essential, yet less visible social theme that contributed to Avatar's success concerns contemporary fascinations with virtual avatars and "the transition from the world of reality to that of virtual reality".[256]

Critics and audiences have cited similarities with other films, literature or media, describing the perceived connections in ways ranging from simple "borrowing" to outright plagiarism. Ty Burr of The Boston Globe called it "the same movie" as Dances with Wolves.[257] Like Dances with Wolves, Avatar has been characterized as being a "white savior" movie, in which a "backwards" native people is impotent without the leadership of a member of the invading white culture.[258][259] Parallels to the concept and use of an avatar are in Poul Anderson's 1957 novelette "Call Me Joe", in which a paralyzed man uses his mind from orbit to control an artificial body on Jupiter.[260][261] Cinema audiences in Russia have noted that Avatar has elements in common with the 1960s Noon Universe novels by Arkady and Boris Strugatsky, which are set in the 22nd century on a forested world called Pandora with a sentient indigenous species called the Nave.[262] Various reviews have compared Avatar to the films FernGully: The Last Rainforest,[263][264] Pocahontas[265] and The Last Samurai.[266] NPR's Morning Edition has compared the film to a montage of tropes, with one commentator stating that Avatar was made by "mixing a bunch of film scripts in a blender".[267] Gary Westfahl wrote that "the science fiction story that most closely resembles Avatar has to be Ursula Le Guin's novella The Word for World Is Forest (1972), another epic about a benevolent race of alien beings who happily inhabit dense forests while living in harmony with nature until they are attacked and slaughtered by invading human soldiers who believe that the only good gook is a dead gook."[261] The science fiction writer and editor Gardner Dozois said that along with the Anderson and Le Guin stories, the "mash-up" included Alan Dean Foster's 1975 novel, Midworld.[268] Some sources saw similarities to the artwork of Roger Dean, which featured fantastic images of floating rock formations and dragons.[269][270] In 2013, Dean sued Cameron and Fox, claiming that Pandora was inspired by 14 of his images. Dean sought damages of $50m.[271] Dean's case was dismissed in 2014, and The Hollywood Reporter noted that Cameron has won multiple Avatar idea theft cases.[272]

Avatar received compliments from filmmakers, with Steven Spielberg praising it as "the most evocative and amazing science-fiction movie since Star Wars" and others calling it "audacious and awe inspiring", "master class", and "brilliant". Noted art director-turned-filmmaker Roger Christian is also a noted fan of the film.[273] On the other hand, Duncan Jones said: "It's not in my top three James Cameron films. ... [A]t what point in the film did you have any doubt what was going to happen next?".[274] For French filmmaker Luc Besson, Avatar opened the doors for him to now create an adaptation of the graphic novel series Valérian and Laureline that technologically supports the scope of its source material, with Besson even throwing his original script in the trash and redoing it after seeing the film.[275] TIME ranked Avatar number 3 in their list of "The 10 Greatest Movies of the Millennium (Thus Far)"[276] also earning it a spot on the magazine's All-Time 100 list,[277] and IGN listed Avatar as number 22 on their list of the top 25 Sci-Fi movies of all time.[278]

Accolades

Main article: List of accolades received by Avatar

Avatar won the 82nd Academy Awards for Best Art Direction, Best Cinematography, and Best Visual Effects, and was nominated for a total of nine,[31] including Best Picture and Best Director.[30] Avatar also won the 67th Golden Globe Awards for Best Motion Picture – Drama and Best Director, and was nominated for two others.[279] At the 36th Saturn Awards, Avatar won all ten awards it was nominated for: Best Science Fiction Film, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, Best Writing, Best Music, Best Production Design and Best Special Effects.

The New York Film Critics Online honored the film with its Best Picture award.[280] The film also won the Critics' Choice Awards of the Broadcast Film Critics Association for Best Action Film and several technical categories, out of nine nominations.[281] It won two of the St. Louis Film Critics awards: Best Visual Effects and Most Original, Innovative or Creative Film.[282] The film also won the British Academy of Film and Television Arts (BAFTA) award for Production Design and Special Visual Effects, and was nominated for six others, including Best Film and Director.[283] The film has received numerous other major awards, nominations and honors.

Special Edition re-release

In July 2010, Cameron confirmed that there would be an extended theatrical re-release of the film on August 27, 2010, exclusively in 3D theaters and IMAX 3D.[284] Avatar: Special Edition includes an additional nine minutes of footage, all of which is CG,[285] including an extension of the sex scene[286] and various other scenes that were cut from the original theatrical film.[285] This extended re-release resulted in the film's run time approaching the current IMAX platter maximum of 170 minutes, thereby leaving less time for the end credits. Cameron stated that the nine minutes of added scenes cost more than $1 million a minute to produce and finish.[5] During its 12-week re-release, Avatar: Special Edition grossed an additional $10.74 million in North America and $22.46 million overseas for a worldwide total of $33.2 million.[6]

Extended home media release

20th Century Fox Home Entertainment released the film on DVD and Blu-ray in the US on April 22, 2010,[287] and in the UK on April 26.[288] The US release was not on a Tuesday as is the norm, but was done to coincide with Earth Day.[289] The first DVD and Blu-ray release does not contain any supplemental features other than the theatrical film and the disc menu in favor of and to make space for optimal picture and sound. The release also preserves the film's native 1.78:1 (16:9) format as Cameron felt that was the best format to watch the film.[290] The Blu-ray disc contains DRM (BD+ 5) which some Blu-ray players might not support without a firmware update.[291][292]

Avatar set a first-day launch record in the U.S. for Blu-ray sales at 1.5 million units sold, breaking the record previously held by The Dark Knight (600,000 units sold). First-day DVD and Blu-ray sales combined were over four million units sold.[293] In its first four days of release, sales of Avatar on Blu-ray reached 2.7 million in the United States and Canada – overtaking The Dark Knight to become the best ever selling Blu-ray release in the region.[294][295] The release later broke the Blu-ray sales record in the UK the following week.[296] In its first three weeks of release, the film sold a total of 19.7 million DVD and Blu-ray discs combined, a new record for sales in that period.[297] As of July 18, 2012, DVD sales (not including Blu-ray) totaled over 10.5 million units sold with $190,806,055 in revenue.[298] Avatar retained its record as the top-selling Blu-ray in the US market until January 2015, when it was surpassed by Disney's Frozen.[299]

The Avatar three-disc Extended Collector's Edition on DVD and Blu-ray was released on November 16, 2010. Three different versions of the film are present on the discs: the original theatrical cut (162 minutes), the special edition cut (170 minutes), and a collector's extended cut (178 minutes). The DVD set spreads the film across two discs, while the Blu-ray set presents it on a single disc.[300] The collector's extended cut contains 8 more minutes of footage, thus making it 16 minutes longer than the original theatrical cut. Cameron mentioned, "you can sit down, and in a continuous screening of the film, watch it with the Earth opening". He stated the "Earth opening" is an additional 41⁄2 minutes of scenes that were in the film for much of its production but were ultimately cut before the film's theatrical release.[301] The release also includes an additional 45 minutes of deleted scenes and other extras.[300]

Cameron initially stated that Avatar would be released in 3D around November 2010, but the studio issued a correction: "3-D is in the conceptual stage and Avatar will not be out on 3D Blu-ray in November."[302] In May 2010, Fox stated that the 3D version would be released some time in 2011.[297] It was later revealed that Fox had given Panasonic an exclusive license for the 3D Blu-ray version and only with the purchase of a Panasonic 3DTV. The length of Panasonic's exclusivity period is stated to last until February 2012.[303] On October 2010, Cameron stated that the standalone 3D Blu-ray would be the final version of the film's home release and that it was, "maybe one, two years out".[304] On Christmas Eve 2010, Avatar had its 3D television world premiere on Sky.[305][306][307]

On August 13, 2012, Cameron announced on Facebook that Avatar would be released globally on Blu-ray 3D.[308] The Blu-ray 3D version was finally released on October 16, 2012.[309]

Sequels

Further information: Avatar 2 and Avatar 3

Two sequels to Avatar were initially confirmed after the success of the first film; this number was subsequently expanded to four.[310][311] Their respective release dates were previously December 17, 2021, December 22, 2023, December 19, 2025, and December 17, 2027.[34] Due to the impact of the COVID-19 pandemic on cinema in 2020, the four Avatar sequels releases were then delayed; their respective release dates are currently December 16, 2022, December 20, 2024, December 18, 2026, and December 22, 2028.[312] Cameron is directing, producing and co-writing all four; Josh Friedman, Rick Jaffa, Amanda Silver, and Shane Salerno all took a part in the writing process of all of the sequels before being assigned to finish the separate scripts, making the eventual writing credits for each film unclear.[313][314][315][316]

Filming for the first two sequels began in September 2017.[317][318] Sam Worthington, Zoe Saldana, Giovanni Ribisi, Joel David Moore, Dileep Rao, and CCH Pounder are all reprising their roles, as are Stephen Lang and Matt Gerald, despite the deaths of their characters in the first film.[319][320][321][322] Sigourney Weaver is also returning, although she stated that she would play a different character.[323]

New cast members include Cliff Curtis and Kate Winslet as members of the Na'vi reef people of Metkayina and Oona Chaplin as Varang, a "strong and vibrant central character who spans the entire saga of the sequels".[324][325][326] Seven child actors will also portray pivotal new characters through the sequels: Jamie Flatters, Britain Dalton, and Trinity Bliss as Jake and Neytiri's children, Bailey Bass, Filip Geljo, and Duane Evans Jr. as free-divers of the Metkayina, and Jack Champion as a human.[327][328] Although the last two sequels have been greenlit, Cameron stated in an interview on November 26, 2017, "Let's face it, if Avatar 2 and 3 don't make enough money, there's not going to be a 4 and 5".[326]

On November 14, 2018, Cameron announced filming on Avatar 2 and 3 with the principal performance capture cast had been completed.[329] In September 2020, Cameron confirmed that live action filming had been completed for 2 and was over 90% complete for 3.[330]

Related media

Stage adaptation

Main article: Toruk – The First Flight

Toruk – The First Flight is an original stage production by the Montreal-based Cirque du Soleil which ran between December 2015 and June 2019. Inspired by Avatar, the story is set in Pandora's past, involving a prophecy concerning a threat to the Tree of Souls and a quest for totems from different tribes. Audience members could download an app in order to participate in show effects. On January 18, 2016, it was announced via the Toruk Facebook page that filming for a DVD release had been completed and was undergoing editing.[331]

Theme park attraction

Main article: Pandora – The World of Avatar

In 2011, Cameron, Lightstorm, and Fox entered an exclusive licensing agreement with the Walt Disney Company to feature Avatar-themed attractions at Walt Disney Parks and Resorts worldwide, including a themed land for Disney's Animal Kingdom in Lake Buena Vista, Florida. The area, known as Pandora – The World of Avatar, opened on May 27, 2017.[332][333]

Novels

Following the release of Avatar, Cameron initially planned to write a novel based on the film, "telling the story of the movie, but [going] into much more depth about all the stories that we didn't have time to deal with."[334] In 2013, this plan was superseded by the announcement of four new novels set within the "Avatar expanded universe", to be written by Steven Gould.[156] The books were due to be published by Penguin Random House, although since 2017, there has been no update on the planned book series.